I admit that I took too long to post this but I was tired.... and then it was my birthday, and then I went to Mexico for a week, and then I was tired again. I then I got it done but needed to upload the pictures... you know how the story goes.

Momo Kadous was sponsored by Turquoise International with Shahira and Sabylla being the local hostesses. We had a hafla on Friday night at The Mirage. I was very happy that Ali (from Turquoise) and Momo were able to attend. We had some great dancers from all over Tennessee and the surrounding area.


Me, Laura and Jessica with Momo

If you have never taken a workshop with Momo, I have to warn you...his English is not very good. He also tends to go back and forth from English to French to German. I attended a workshop with his last year and this year I was prepared and that made it easier for me to understand. Several fellow attendees said by the second day they were doing much better.

Both choreography's he taught were incredible. I dream at night that art like that will ever come from my mind. I was also flattered that he thought enough of us on the first day to give use a second, long, complicated orientale piece.

He allowed us the film the class (just not him) which is great since our notes were all filled with things like "Opa, opa, hep, hep, step". You would think it would be hard with a language barrier to be funny but Momo is a laugh a minute. If the class doesn't look like they are getting it he will say "Do you understand?...Say no" or "say yes" if he is ready to move on. The jewel sound bite of this workshop was, "Is beautiful, yes? Then why you no dance it good".


If you ever have a chance to study with Momo, take it! I can't put into words the masterfullness (which is not even a word) of his choreography's. Even of you never danced them, the technique and ideas for creating your own choreography are endless.
The only possible complaint about the workshop is that the materials said that the last afternoon of the seminar would be folklore and instead Momo taught the same Oreintale choreography before and after lunch. I don't know when he changed his plan and surely hope no one was really disappointed. I hate it only because having danced one of his folk numbers, I know how great they are.

The show on Saturday was amazing as far as performance but attendance left something to be desired. The show competed with a UT Football which, around here, is like church.
Unfortunately, I spent most of the night in the dressing room and got to see very few numbers. My husband and friends were astounded by Raksanna, Linda of Nashville, and Mahsati Janan among others.

Both my troupes danced Momo choreography's that we learned on his 2008 circuit. Here is Shahira's Troupe Hyetti doing an oreintale piece


and BellaBelly with a Bedouin Folk number.


I think it is safe to say that this number stole the show!
Momo himself ended the night with a great performance.

11:19 AM


Okay, I know it is not the best quality picture you will see today but see the bridesmaid leaning against the column? That's me. And see the blur? That's my friend's cousin dancing at her wedding.

This is it. A picture of the actual moment I decided to start bellydancing. It's not the moment I became a bellydancer, that is another story.
I am happy that Maryam decided to get nostalgic and post some wedding photos so I could share this moment with everyone.

So thanks to Google Readers new "Send To" Feature rather than putting up a link and hoping my readers click and read, I can pull across the whole post. So read this! What a great make-up for performances. Also, read one or more of Manolo's Blogs. I got started with Manolo for the Bride and am now committed to Manolo for the Big Girl (where the following post is from).


Review Revue: Coastal Scents Cosmetics (ZOMG an actual positive review!): "

Until a few weeks ago, I’d never heard of Coastal Scents, a small cosmetics company based in Florida, and when I visited their site on a whim I wasn’t especially impressed. The site was a no-frills online store, the photographs weren’t professional beauty shots and the menus less than intuitive. But I was intrigued.

Coastal Scents, unlike traditional mascara slingers, caters to a combination of mad-scientists and professionals; make-up artists, resellers and people who want to make their own custom blends. They don’t just sell makeup, they sell makeup components, including pure pigment.


Ultramarine pure pigment


I am constantly on the hunt for intensely pigmented matte colors.


MAC is great and I heartily recommend them, but I have a hard time justifying dropping $15 for a shadow pot I might use once or twice a year. As far as drug store brands go, I’ve had good luck with the L’Oreal HiP line and Milani, which is marketed towards women with darker skin tones and generally contains more pigment, but they’re almost always too sparkly and their lasting power leaves a good deal to be desired. Plus I can’t use their cream-based products because of my eyelash extensions.


Coastal Scents sells their pigments by the half-teaspoon, teaspoon, ounce and pound. I ordered teaspoons of several oxides and micas (at a dollar each!) which is what they call “sample size”. Sample size it may be, but for the recreational user, a teaspoon of pigment is a LOT of makeup. They arrived packaged neatly in teensy zipper bags. Each bag was labeled with the color, approved uses –eyes, lips, face, nails etc.– and the ingredients.


I popped each pigment into its own five gram jar ($3.49 for 10) and started experimenting.

Sifter Jar


Using their excellent 13 piece brush set ($16.95 including roll) which is by far the best brush set for the money I’ve ever come across, I began monkeying around with applications. First I applied some pigment with a very wet brush and got a lovely, even wash of color. Then I added a drop of fixative (I think mine came from a N.Y.C. loose powder kit) for a full-on intense look. The color payoff was tremendous as good or better as anything I’ve used including the MAC pro colors. It blended like a dream and although there was a good deal of fallout on the dry applications, that’s to be expected with any highly pigmented powder, especially since I forgot to use a primer the first time.


13 piece brush set from Coastal Scents


Using a primer is always a good idea with powders, especially if you’ve got deep set or oily eyelids, because powders as a species tend to “travel”.


Primer gives the powder something to grip, making your application last longer and stay where you damn well put it. The nice folks a Make Up Forever sent me a sample of their HD Microperfecting primer in Neutral the other day which is what I’ve been using and I highly recommend it, but historically my trusty old Rimmel Fix and Perfect primer has never steered me wrong and would probably work almost as well.


My only complaint with the Coastal Scents pigments was they don’t offer a really screaming yellow, which I’ve needed for a particular look for ages. I finally caved and bought Make Up Forever’s Pure Pigment #2, which is good, but not the Holy Grail yellow I’d been searching for, especially not for $20, which was nearly as much as I paid for the entire Coastal Scents 42 Color Double Stack Matte Palette ($24.95).

42 color matte palette


I am way, WAY gun shy about inexpensive palettes. Too many years of cheap Christmas sets with chalky colors meant for little girls playing dress up have left me with a fear and loathing of the multicolor pack, so I can’t tell you why I ordered this.


Maybe it was because the colors were matte –once you’re past the glitter and gloss stage, mattes are a much cooler look than shimmers which tend to look cheap even if they’re not–or maybe I was hoping for that Holy Grail Yellow (close but not quote) but I wasn’t expecting much.


I’m glad I was wrong.


This is by far the best big palette I’ve seen for under $100. It’s a great combination of neutrals and brights, plus some killer blushes and bronzers. The browns are almost exact duplicates of MAC mushroom and bark, which are great browns I use for eyebrow powders (apply it with an angled brush) and the pressed colors have the same ease of blending and almost the same intesity as the wonderful pure pigments.


Next week I’ll have a review of their mineral foundations and veils, plus I’ll reveal The Greatest Cosmetic Brush Ever. Stay tuned!


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"

As mentioned previously, I am team captain for our Race for the Cure team, Bellydancers Shimmy for the Cure. For the past 3 years our troupe has performed at this event as well. At our last rehearsal we were discussing the staging of our number and someone said the groups were 5, 7 and 5. Oh, like a haiku!
So of course we had to write some. Here they are in no particular order.

walk, run, dance, do it
I cannot breathe through this veil
Time to go one, NOW!
(me)

five k or short walk
ok if we're stinky? ick
we will do our best
(Angelique)

hipscarves will be on
raqs africa is the bomb
shimmy for a cure
(Jessica)

Fierce flair warriors
African dance moves, double
head rolls, my neck hurts
(Laura)

United we dance
to entertain and support
where is my lipstick??
(Kelley)

We sparkle and shine
With a shimmy and a shake
Have another Crunk!!!
(Shanendora)

we, many will dance,
from the heart for others' lives.
we will not quiet.
(Jaia)

Seventeen dancers,
Stage is collapsing - OH NO!
Hey Y'all Look at us
(Sally)

And a bonus in Iambic Pentameter

To dance on stage with friends, it is a gift
Until the underpinnings start to shift
We'll arabesque and spin and pop and lock
And show the crowd how fun it is to rak
(Sally)

Please submit your own in the comments

Remember the costume I was working on? I worked on it a lot and you know what? It didn't fit.


The belt and skirt fit like a dream. The bra was too little. I knew it was but thought it was the sort of too little I could fix. Alas, it was not. I thought about hiding it in the back of my closet until a time when I became a couture genius or got a magic lamp but that would get me nothing.

I listed it on Bhuz. I am hoping I can recoup most of my money and then get a not as expensive costume to replace it.

I am captain of the Bellydancers Shimmy for the Cure team in the Komen Knoxville Race for the Cure. It would mean the world to me if you gave a donation. Even if it is only the cost of Venti Light Caramel Frappuccino ($5).

1:17 PM

Just ignore me, I am playing with my blog. Will be done in 24 hours...I hope.




I found this book at my local used book store. I make it a habit of quickly browsing the dance books and looking for anything that references Middle Eastern Dance.

This book is a really great primer on the evolution of dance. It starts with the Europeans discovery of dance in Polynesia, India and Greece. There are some very detailed sections on dance in Africa and Asia. A chapter called Lord of the Dance is an introduction to dance and religion including some of the very first dance stage shows depicting Salome (great photos). I especially liked the sections on dance and religion.

The largest section on Middle Eastern Dance is in the chapter on social dance. It is interesting to see how social dance differs from culture to culture. This chapter also details how MED was introduced to Europe and the Western World. In the chapter on modernizing dance, I loved the section on Ruth St. Denis. She is someone I would like to read more about.

Ruth St. Denis in 1904

In no way is this book just about ethnic dance, there are sections on modern dance and contemporaries such as Jerome Robbins and Twyla Tharp.

I am really glad I found this book. The pictures are incredible and it would make a good coffee table book just for photo flipping. I recommend this book to anyone with any interest in dance.


The very last photo in the whole book is Michael Jackson
from the Smooth Criminal video

3:45 PM

Somebody posted this on Bhuz. I love it too much not to share.

How do you store your costumes?

Some things like skirts that hang are pretty easy. But want bout bedlahs, coin scarfs, errant choli tops and all those bits that get tied on to a Ghawazhee coat?

My house lacks closet space. My next house will have a walk in closet as opposed to my current walk in and back out closet. The closet in our home office is the sliding door type and my costumes share their space with our formal wear and random crafting supplies.

Everything that can hang does. I have a crate on the floor full of all my bits. Hip scarves, cholies, tie on scarves, tummy covers and a few other odds and ends. I would like to keep it organized but it stays a pile because I am always digging through it. I dug last night for a worn black bra I wear under my black dress costume.

As for bedlahs, I store them in a hanging shoe rack like this.
Each compartment holds one bra or belt. I can get both in one space if it is like my orange and pink one that really has no fringe or coins. I also shove my turquoise Lycra beledi dress into a compartment. The dress is stretchy and heavy and if I hang it up, it grows in length. I don't want anything else to get hooked on it so I fold it up nicely and push it into a compartment. This system is nice because you can keep the accessories with each costume. To keep them smelling fresh I fill an old sock with baking soda and place it in the back of each compartment.


And speaking of smelling fresh... How do you clean your costumes?

When I get home I make sure everything is hung up on the door and I lay bras and belts out on my sewing table on an old towel. I use vodka in a spray bottle to give things a refresher. It evaporates quickly and works like Febreze type fresheners without leaving a scent or residue. I am wondering what other methods dancers use on costumes that are not conducive to being laundered.

What about polishing dull coins? I am going to do a test on my American Icon to see if vinegar will shine up the coins.

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